1 00:00:01,315 --> 00:00:02,944 POP: Nadia, I'm sorry. 2 00:00:02,944 --> 00:00:04,029 I could never make it right. 3 00:00:04,029 --> 00:00:05,741 There's no forgiving it. 4 00:00:05,741 --> 00:00:08,162 Don't blame Abdi. This is my fault. 5 00:00:08,162 --> 00:00:10,292 He was just trying to protect you. 6 00:00:10,292 --> 00:00:12,755 NADIA: You and Pop? ABDI: What the hell? 7 00:00:12,755 --> 00:00:15,552 ‐ How could you know something like that and not tell me? 8 00:00:17,347 --> 00:00:18,767 ‐ Nadia, come on. 9 00:00:18,767 --> 00:00:20,688 [tense music] 10 00:00:20,688 --> 00:00:24,571 ACE: Did you know that 400 years ago, 11 00:00:24,571 --> 00:00:26,825 Jerusalem's Lot was called New Jerusalem? 12 00:00:26,825 --> 00:00:28,286 New Jerusalem was settled 13 00:00:28,286 --> 00:00:30,833 by a very special group of people. 14 00:00:30,833 --> 00:00:32,920 [tires screeching] 15 00:00:32,920 --> 00:00:34,883 In many ways, this land... 16 00:00:34,883 --> 00:00:36,928 ‐ [groaning] ACE: Is still theirs. 17 00:00:36,928 --> 00:00:40,226 They never surrendered, and they never will surrender. 18 00:00:41,270 --> 00:00:44,193 It's all happening exactly as Amity said it would. 19 00:00:44,193 --> 00:00:47,909 PINTO: We had our own witches right here in Castle Rock, people. 20 00:00:47,909 --> 00:00:49,036 ‐ They were Satanists, 21 00:00:49,036 --> 00:00:50,790 not witches. 22 00:00:50,790 --> 00:00:53,962 Made a bad deal with the wrong hombre, those folks. 23 00:00:53,962 --> 00:00:55,268 They burned for it. ACE: [in French] 24 00:01:00,266 --> 00:01:01,352 Annie. 25 00:01:05,695 --> 00:01:08,701 [dramatic music] 26 00:01:08,701 --> 00:01:12,820 ♪ ♪ 27 00:01:28,866 --> 00:01:31,328 [horse chuffs] 28 00:01:31,328 --> 00:01:34,627 [insects chittering] 29 00:01:34,627 --> 00:01:40,973 ♪ ♪ 30 00:01:46,610 --> 00:01:47,612 [door slams] 31 00:01:47,612 --> 00:01:49,948 AUGUSTIN: [speaking French] 32 00:02:12,703 --> 00:02:14,674 Amen. 33 00:02:54,760 --> 00:02:57,324 [congregation whispering] 34 00:03:04,599 --> 00:03:05,684 [tense music] 35 00:03:08,815 --> 00:03:10,485 ♪ ♪ 36 00:03:17,750 --> 00:03:21,362 ♪ ♪ 37 00:03:23,219 --> 00:03:24,722 ♪ ♪ 38 00:03:24,722 --> 00:03:27,983 [stammering] 39 00:03:29,398 --> 00:03:30,734 [gasping] 40 00:03:30,734 --> 00:03:32,320 [congregation gasping and murmuring] 41 00:03:32,320 --> 00:03:34,571 [groaning] 42 00:03:35,744 --> 00:03:37,414 ♪ ♪ 43 00:03:38,917 --> 00:03:41,505 ♪ ♪ 44 00:03:41,505 --> 00:03:44,511 [soft dramatic music] 45 00:03:44,511 --> 00:03:47,310 ♪ ♪ 46 00:03:47,310 --> 00:03:48,320 AUGUSTIN: [speaking French] 47 00:04:20,884 --> 00:04:21,683 [tense music] 48 00:04:34,528 --> 00:04:37,785 ♪ ♪ 49 00:04:43,105 --> 00:04:45,110 ‐ Non, non, Marius. 50 00:05:01,749 --> 00:05:08,179 ♪ ♪ 51 00:05:16,779 --> 00:05:17,781 Amity. 52 00:05:17,781 --> 00:05:24,795 ♪ ♪ 53 00:06:02,203 --> 00:06:03,999 [breathing sharply] 54 00:06:31,345 --> 00:06:34,351 [distant eerie howling] 55 00:06:38,025 --> 00:06:41,031 [growling] 56 00:06:41,031 --> 00:06:44,412 [howling] 57 00:06:44,412 --> 00:06:47,418 [unsettling music] 58 00:06:47,418 --> 00:06:54,432 ♪ ♪ 59 00:07:10,841 --> 00:07:14,472 [howling] 60 00:07:14,472 --> 00:07:21,486 ♪ ♪ 61 00:07:45,409 --> 00:07:48,415 [howling] 62 00:07:54,970 --> 00:07:57,976 [howling] 63 00:07:57,976 --> 00:08:04,990 ♪ ♪ 64 00:08:25,949 --> 00:08:28,955 [power saw buzzing, hammer banging] 65 00:08:28,955 --> 00:08:31,961 [dramatic music] 66 00:08:31,961 --> 00:08:38,975 ♪ ♪ 67 00:08:47,325 --> 00:08:50,331 [indistinct chatter] 68 00:08:50,331 --> 00:08:57,345 ♪ ♪ 69 00:08:57,345 --> 00:09:00,267 [hammer banging] 70 00:09:00,267 --> 00:09:03,273 [power saw buzzing] 71 00:09:03,273 --> 00:09:10,245 ♪ ♪ 72 00:09:44,606 --> 00:09:47,571 [engine rumbling] 73 00:09:50,033 --> 00:09:53,039 [brakes squeaking] 74 00:09:53,039 --> 00:09:54,333 HASSAN: All right, bring it in, guys. 75 00:09:54,333 --> 00:09:57,131 [indistinct chatter] 76 00:09:57,131 --> 00:09:58,593 Volunteers, team leaders, 77 00:09:58,593 --> 00:10:00,512 gather round, gather round. 78 00:10:00,512 --> 00:10:02,391 I want to thank you all for coming out 79 00:10:02,391 --> 00:10:05,439 to volunteer for our 400th anniversary. 80 00:10:05,439 --> 00:10:07,944 Now, the event is gonna start at 3:00 sharp, 81 00:10:07,944 --> 00:10:10,032 and it should take us about two hours 82 00:10:10,032 --> 00:10:12,369 to get the parade down Route 9. 83 00:10:13,664 --> 00:10:17,004 We will conclude in front of the church in Castle Rock, 84 00:10:17,004 --> 00:10:20,887 where we will kick off four days of festivities 85 00:10:20,887 --> 00:10:23,684 leading up to the 400th anniversary. 86 00:10:23,684 --> 00:10:25,395 [intense music] 87 00:10:25,395 --> 00:10:28,360 [ominous music] 88 00:10:28,360 --> 00:10:35,374 ♪ ♪ 89 00:10:55,999 --> 00:10:58,169 [indistinct police radio chatter] 90 00:10:58,169 --> 00:11:01,635 ‐ We, uh...still aren't taking her in? 91 00:11:01,635 --> 00:11:03,138 CLAY: Sit tight, Rook. 92 00:11:07,271 --> 00:11:11,070 [door slams] ‐ Deputy, here's the thing. 93 00:11:11,070 --> 00:11:12,949 I don't want a lawyer. 94 00:11:12,949 --> 00:11:15,705 I did it. That's the story, soup to nuts. 95 00:11:15,705 --> 00:11:18,209 CLAY: So this is a‐‐ ‐ Confession, yes, sir. 96 00:11:18,209 --> 00:11:21,466 She broke into my room, trying to rob me. 97 00:11:22,928 --> 00:11:24,430 She had a gun. 98 00:11:25,808 --> 00:11:27,771 I did what I had to do. 99 00:11:29,065 --> 00:11:30,067 The end. 100 00:11:31,987 --> 00:11:33,574 [dark music] 101 00:11:33,574 --> 00:11:35,745 I wanna talk to my daughter! 102 00:11:35,745 --> 00:11:42,257 ♪ ♪ 103 00:11:43,719 --> 00:11:45,222 CLAY: These yours? 104 00:11:47,101 --> 00:11:48,729 ANNIE: Yeah, so what? 105 00:11:48,729 --> 00:11:50,357 ‐ Why don't you walk me through it? 106 00:11:51,902 --> 00:11:53,739 ‐ It's not that complicated. 107 00:11:53,739 --> 00:11:55,868 She attacked me. I killed her. 108 00:11:55,868 --> 00:11:58,123 ‐ Uh‐huh, and where does the syringe come into it? 109 00:11:59,250 --> 00:12:00,377 ‐ I'm a nurse. 110 00:12:00,377 --> 00:12:01,379 ‐ You used the syringe 111 00:12:01,379 --> 00:12:02,506 on the victim first? 112 00:12:03,801 --> 00:12:05,680 ‐ There you go. 113 00:12:05,680 --> 00:12:08,393 CLAY: So I dust the syringe, your prints I'll find? 114 00:12:08,393 --> 00:12:09,896 ♪ ♪ 115 00:12:09,896 --> 00:12:12,610 ‐ A lot of people touched that syringe. 116 00:12:13,654 --> 00:12:15,783 That's the nature of hospital work. 117 00:12:15,783 --> 00:12:17,787 I'm a nurse, see? 118 00:12:18,873 --> 00:12:21,879 ‐ Ms. Ingalls, did you know the deceased? 119 00:12:23,173 --> 00:12:25,427 ‐ Not until she broke into my room. 120 00:12:26,387 --> 00:12:27,807 CLAY: 'Cause we got her phone. 121 00:12:29,686 --> 00:12:31,522 There's a call. Maine number. 122 00:12:31,522 --> 00:12:33,068 She got it in New York. 123 00:12:34,738 --> 00:12:36,532 Nearest we figure, she hightailed it here 124 00:12:36,532 --> 00:12:38,453 right after she received the call. 125 00:12:41,668 --> 00:12:43,213 Why? 126 00:12:46,010 --> 00:12:47,680 ‐ I don't know why 127 00:12:47,680 --> 00:12:50,310 a crazy woman does what she does. 128 00:12:51,562 --> 00:12:54,653 I don't know, and I don't care. 129 00:12:54,653 --> 00:12:57,826 I care about my daughter. 130 00:12:57,826 --> 00:13:00,038 What's gonna happen to her? 131 00:13:00,038 --> 00:13:07,052 ♪ ♪ 132 00:13:11,519 --> 00:13:14,483 [breathing heavily] 133 00:13:14,483 --> 00:13:15,695 [door clicks open] 134 00:13:19,118 --> 00:13:20,162 Little love! 135 00:13:22,040 --> 00:13:23,209 Oh! 136 00:13:23,209 --> 00:13:24,838 Oh, I don't know why those yokels 137 00:13:24,838 --> 00:13:26,549 are keeping us here all night, 138 00:13:26,549 --> 00:13:29,931 but whatever they're trying to get you to say, don't. 139 00:13:29,931 --> 00:13:32,144 Don't say a word. 140 00:13:33,479 --> 00:13:39,951 Joy, you saved me out there. 141 00:13:39,951 --> 00:13:43,124 [crying] 142 00:13:43,124 --> 00:13:45,713 You shouldn't have. 143 00:13:45,713 --> 00:13:48,134 I didn't deserve it. 144 00:13:50,598 --> 00:13:52,936 For now why don't you just let me 145 00:13:52,936 --> 00:13:55,190 do the saving for a change, okay? 146 00:13:56,192 --> 00:13:58,781 Okay, it's gonna be all right, little love. 147 00:13:58,781 --> 00:13:59,866 I'll get you clear of this. 148 00:13:59,866 --> 00:14:01,870 [door clicks open] 149 00:14:01,870 --> 00:14:03,666 CLAY: Let's go. ‐ Where? 150 00:14:03,666 --> 00:14:05,878 ‐ Now, both of you. ANNIE: The police station? 151 00:14:05,878 --> 00:14:07,715 She's a minor, 152 00:14:07,715 --> 00:14:10,387 and she's got nothing to do with this! 153 00:14:10,387 --> 00:14:17,401 ♪ ♪ 154 00:14:46,877 --> 00:14:49,883 [engine rattling] 155 00:14:51,678 --> 00:14:54,224 [indistinct shouting] 156 00:14:54,224 --> 00:14:56,145 [brakes squeak] 157 00:14:56,145 --> 00:15:03,159 ♪ ♪ 158 00:15:19,191 --> 00:15:21,070 [gate buzzing] 159 00:15:21,070 --> 00:15:23,826 [door whirring] 160 00:15:25,161 --> 00:15:26,915 [buzzer blares] 161 00:15:29,336 --> 00:15:30,589 [door clicks shut] 162 00:15:30,589 --> 00:15:37,603 ♪ ♪ 163 00:15:45,160 --> 00:15:46,997 [buzzer blares] 164 00:15:46,997 --> 00:15:50,003 [indistinct chatter] 165 00:16:01,233 --> 00:16:02,778 ‐ [groans] 166 00:16:09,416 --> 00:16:10,794 ‐ John. 167 00:16:14,134 --> 00:16:16,180 ‐ How much longer you got? 168 00:16:17,892 --> 00:16:20,648 ‐ Quite a grapevine they got in this shithole. 169 00:16:20,648 --> 00:16:22,234 JOHN: The king is dead. 170 00:16:22,234 --> 00:16:25,490 That's a big headline for a small town. 171 00:16:27,327 --> 00:16:29,414 ‐ Welcome back, by the way. 172 00:16:29,414 --> 00:16:30,960 JOHN: It's good to be back. 173 00:16:30,960 --> 00:16:34,216 Portland, State, I've done the grand tour. 174 00:16:35,928 --> 00:16:37,974 It's nice they brought us home. 175 00:16:39,769 --> 00:16:41,438 ‐ Weeks. 176 00:16:41,438 --> 00:16:42,524 JOHN: What? 177 00:16:42,524 --> 00:16:44,696 ‐ You asked how long I got. 178 00:16:44,696 --> 00:16:46,073 JOHN: Weeks? 179 00:16:46,073 --> 00:16:47,284 Damn. 180 00:16:48,452 --> 00:16:51,375 Well, I got‐‐uh, let's see... 181 00:16:52,712 --> 00:16:54,464 ‐ Life. POP: Huh. 182 00:16:54,464 --> 00:16:56,928 Looks like we're gonna just miss you, John. 183 00:16:56,928 --> 00:16:58,055 What a shame. 184 00:17:00,769 --> 00:17:02,940 ‐ So what the fuck are you doing here, Reggie? 185 00:17:06,030 --> 00:17:08,744 ‐ I was telling a war story the other day. 186 00:17:08,744 --> 00:17:10,371 I thought of you. 187 00:17:10,371 --> 00:17:13,044 ‐ Yeah, real soldiers don't tell war stories. 188 00:17:13,044 --> 00:17:15,298 We both know that. 189 00:17:15,298 --> 00:17:17,887 Real soldiers know that nobody wants to fucking hear them. 190 00:17:17,887 --> 00:17:19,599 ‐ Yeah, and then real soldiers come home from the bar 191 00:17:19,599 --> 00:17:21,518 and pop their wives a good one in the head, right? 192 00:17:21,518 --> 00:17:23,147 ‐ There it is. ‐ Hit them so hard, they don't get up? 193 00:17:23,147 --> 00:17:24,524 ‐ Yeah, what do you want me to say, Reg? 194 00:17:24,524 --> 00:17:26,070 ‐ That what real soldiers do, John? 195 00:17:26,070 --> 00:17:27,530 JOHN: You're spending your last breath 196 00:17:27,530 --> 00:17:30,203 telling me I'm a piece of shit? 197 00:17:30,203 --> 00:17:34,044 I regret to inform you, that news has beat you here. 198 00:17:34,044 --> 00:17:36,507 My life ended 30 years ago. 199 00:17:36,507 --> 00:17:38,845 Both my boys got your name. 200 00:17:40,473 --> 00:17:41,475 Not mine. 201 00:17:42,560 --> 00:17:44,691 You think I don't know what I am? 202 00:17:46,151 --> 00:17:50,869 You think I ain't had time to think about this? 203 00:17:50,869 --> 00:17:52,748 ‐ You know who ain't had the time? 204 00:17:52,748 --> 00:17:54,376 My sister. 205 00:17:54,376 --> 00:17:56,505 Maybe if you'd told one more fucking war story 206 00:17:56,505 --> 00:17:58,551 and had one less fucking case of beer, 207 00:17:58,551 --> 00:18:00,388 Brenda'd still be alive. 208 00:18:00,388 --> 00:18:04,271 ‐ 30 years and here you are with all the answers. 209 00:18:05,481 --> 00:18:06,985 Is that why you came? 210 00:18:08,112 --> 00:18:10,826 ‐ [breathes deeply] 211 00:18:13,582 --> 00:18:15,961 I came here to forgive you. 212 00:18:15,961 --> 00:18:17,923 ‐ [sighs] 213 00:18:17,923 --> 00:18:19,844 What bullshit is this, Reg? 214 00:18:21,723 --> 00:18:23,142 ‐ It's the truth. 215 00:18:23,142 --> 00:18:24,687 ‐ Forgiveness? 216 00:18:25,981 --> 00:18:27,568 That don't wash. 217 00:18:27,568 --> 00:18:29,488 POP: Everyone deserves forgiveness, 218 00:18:29,488 --> 00:18:30,824 even you. 219 00:18:31,826 --> 00:18:33,496 I forgive you. 220 00:18:33,496 --> 00:18:35,208 JOHN: What the fuck is really going on, Reg? 221 00:18:35,208 --> 00:18:38,965 You swing in here acting like the fucking pope 222 00:18:38,965 --> 00:18:42,890 two days after my own son's sitting across from me 223 00:18:42,890 --> 00:18:44,977 for the first time in two decades‐‐ 224 00:18:44,977 --> 00:18:47,232 ‐ Chris was here? ‐ Ace. 225 00:18:47,232 --> 00:18:49,737 I barely recognized him. 226 00:18:49,737 --> 00:18:51,114 [tense music] 227 00:18:51,114 --> 00:18:53,118 Come on, Reg. 228 00:18:53,118 --> 00:18:55,206 What the fuck gives? 229 00:18:55,999 --> 00:18:58,170 [buzzer blares] 230 00:18:58,170 --> 00:19:05,184 ♪ ♪ 231 00:19:05,811 --> 00:19:07,397 ‐ My fuckup nephew come in here? 232 00:19:10,319 --> 00:19:13,200 Hey, Jimmy. 233 00:19:13,200 --> 00:19:16,123 Remember who you're talking to. 234 00:19:16,123 --> 00:19:21,133 ♪ ♪ 235 00:19:21,133 --> 00:19:23,137 ‐ I figured he couldn't hurt anything down there 236 00:19:23,137 --> 00:19:25,516 'cause there's nothing left to hurt. 237 00:19:25,516 --> 00:19:27,395 ‐ Nothing left to hurt down where? 238 00:19:27,395 --> 00:19:29,609 JIMMY: Old Warden Lacy's hole, 239 00:19:29,609 --> 00:19:31,779 where he kept that gimp. 240 00:19:31,779 --> 00:19:34,117 Block F. 241 00:19:34,117 --> 00:19:36,413 POP: What the fuck do they's want down in F? 242 00:19:36,413 --> 00:19:38,919 JIMMY: They gave me a hundred reasons not to ask. 243 00:19:38,919 --> 00:19:42,258 They just kinda... looked around. 244 00:19:43,552 --> 00:19:46,558 Guess they wanted to know where it went down. 245 00:19:46,558 --> 00:19:49,147 That cage is still in the tank. 246 00:19:49,147 --> 00:19:50,817 They never took it down. 247 00:19:50,817 --> 00:19:52,863 But the really weird thing was‐‐ 248 00:19:52,863 --> 00:19:55,409 [indistinct chatter] 249 00:19:55,409 --> 00:19:59,042 ♪ ♪ 250 00:19:59,042 --> 00:20:00,921 ‐ Spit it out, boy. 251 00:20:03,175 --> 00:20:04,469 ‐ The shit's locked. 252 00:20:04,469 --> 00:20:06,975 [eerie music] 253 00:20:06,975 --> 00:20:10,106 There were, like, a pile of clothes inside. 254 00:20:10,106 --> 00:20:11,943 Sweats, you know? 255 00:20:11,943 --> 00:20:13,613 Prison‐issue. 256 00:20:15,909 --> 00:20:17,078 ‐ What? 257 00:20:17,078 --> 00:20:18,330 JIMMY: I hear Ace 258 00:20:18,330 --> 00:20:19,875 is making all the stops. 259 00:20:20,794 --> 00:20:22,923 I mean, Block F? 260 00:20:22,923 --> 00:20:24,342 Marsten place? 261 00:20:25,553 --> 00:20:27,390 ‐ You mean Marsten's house? 262 00:20:27,390 --> 00:20:29,561 JIMMY: That boy must be up to something. 263 00:20:29,561 --> 00:20:32,609 He's always got an angle, you know? 264 00:20:32,609 --> 00:20:35,782 ♪ ♪ 265 00:20:35,782 --> 00:20:38,788 [engine rumbling] 266 00:20:38,788 --> 00:20:40,541 [brakes squeak] 267 00:20:40,541 --> 00:20:47,555 ♪ ♪ 268 00:20:57,075 --> 00:20:59,705 [wind whooshing, water lapping] 269 00:20:59,705 --> 00:21:01,041 [doors clatter open] AMITY: [speaking French] 270 00:21:04,464 --> 00:21:06,861 [people murmuring] 271 00:21:09,516 --> 00:21:10,883 [dramatic music] VILLAGER: [speaking French] 272 00:21:16,656 --> 00:21:18,283 [chickens clucking] 273 00:21:44,294 --> 00:21:47,300 [people murmuring] 274 00:21:58,155 --> 00:21:59,925 [people murmuring] 275 00:22:04,125 --> 00:22:06,213 ‐ Merci, ma prophète. 276 00:22:08,676 --> 00:22:11,682 [villagers chattering] 277 00:22:11,682 --> 00:22:14,647 ♪ ♪ 278 00:22:14,647 --> 00:22:17,276 [distant horse whinnying] 279 00:22:17,276 --> 00:22:24,290 ♪ ♪ 280 00:22:24,290 --> 00:22:27,296 [wooden clattering] 281 00:22:27,296 --> 00:22:34,310 ♪ ♪ 282 00:22:45,291 --> 00:22:48,297 [power saw buzzing faintly] 283 00:22:50,969 --> 00:22:53,975 [hammer banging faintly] 284 00:23:01,782 --> 00:23:04,788 [soft eerie music] 285 00:23:04,788 --> 00:23:11,802 ♪ ♪ 286 00:23:22,949 --> 00:23:23,951 ACE: Pop. 287 00:23:25,955 --> 00:23:29,003 ‐ You wanna tell me what you're doing in this fucking place? 288 00:23:29,003 --> 00:23:31,466 ‐ We're a group of like‐minded individuals 289 00:23:31,466 --> 00:23:34,807 fostering accord between two communities, 290 00:23:34,807 --> 00:23:37,646 Castle Rock and Salem's Lot, 291 00:23:37,646 --> 00:23:40,317 all on the eve of our 400th anniversary. 292 00:23:40,317 --> 00:23:41,946 Are you going to the parade? 293 00:23:44,242 --> 00:23:46,162 ‐ Do you know the history of this shithole? 294 00:23:46,162 --> 00:23:48,876 ‐ History does not define a thing, Pop. 295 00:23:48,876 --> 00:23:50,755 You of all people should know that. 296 00:23:50,755 --> 00:23:53,176 ‐ You better start explaining. 297 00:23:53,176 --> 00:23:55,264 ‐ You have questions. I get it. 298 00:23:55,264 --> 00:23:56,642 POP: You get it? 299 00:23:56,642 --> 00:23:59,313 Maybe you can help me get it, Ace. 300 00:23:59,313 --> 00:24:02,361 Help me get what the fuck you were doing over at the prison. 301 00:24:02,361 --> 00:24:04,157 Help me get what you're doing here. 302 00:24:04,157 --> 00:24:06,954 ‐ I've had some... 303 00:24:06,954 --> 00:24:10,335 revelations about myself, 304 00:24:10,335 --> 00:24:12,465 the kind of life I've led. 305 00:24:12,465 --> 00:24:15,889 Turns out... I wasn't alone. 306 00:24:18,728 --> 00:24:20,522 POP: I'm not buying it, Ace. 307 00:24:23,028 --> 00:24:27,244 You, Hassan, bunch of townies, 308 00:24:27,244 --> 00:24:29,457 fucking Rainbow Coalition. 309 00:24:29,457 --> 00:24:31,670 [tense music] 310 00:24:31,670 --> 00:24:34,133 What the fuck is going on here? 311 00:24:34,133 --> 00:24:35,887 What the fuck were you doing at the prison 312 00:24:35,887 --> 00:24:38,183 paying off guards, trying to get into Block F? 313 00:24:40,479 --> 00:24:41,982 ‐ I don't know what you mean. 314 00:24:45,782 --> 00:24:48,328 You should go, Pop. 315 00:24:48,328 --> 00:24:51,961 My friends don't want you in their house. 316 00:24:51,961 --> 00:24:58,975 ♪ ♪ 317 00:25:01,689 --> 00:25:03,525 [door slams] 318 00:25:03,525 --> 00:25:05,822 [backup alert beeping, indistinct chatter] 319 00:25:05,822 --> 00:25:07,867 ‐ I gotta talk to you. 320 00:25:09,245 --> 00:25:11,709 ‐ You told Nadia? 321 00:25:11,709 --> 00:25:14,088 That feel good? 322 00:25:14,088 --> 00:25:15,424 Getting it all off your chest? 323 00:25:15,424 --> 00:25:17,136 ‐ She figured it out on her own. 324 00:25:17,136 --> 00:25:19,181 ‐ Well, now she won't talk to me either. 325 00:25:19,181 --> 00:25:22,438 Is there anything you can't fuck up? 326 00:25:22,438 --> 00:25:24,860 Now, get out, Pop. I'm done with your shit. 327 00:25:24,860 --> 00:25:26,572 ‐ You gotta watch your back, Abdi. 328 00:25:26,572 --> 00:25:27,657 ‐ You're here to threaten me again? 329 00:25:27,657 --> 00:25:29,201 ‐ I'm warning you about Ace. 330 00:25:29,201 --> 00:25:31,624 ‐ A little late for that. ‐ And your man. 331 00:25:31,624 --> 00:25:33,501 The big one, Hassan? 332 00:25:33,501 --> 00:25:35,339 They're working together. ABDI: Bullshit. 333 00:25:35,339 --> 00:25:36,925 ‐ I seen them together up at Marsten. 334 00:25:36,925 --> 00:25:39,681 ‐ Hassan? POP: Not just them either. 335 00:25:39,681 --> 00:25:41,685 Cops, the goddamn city councilwoman, 336 00:25:41,685 --> 00:25:43,898 all listening to fucking Ace? 337 00:25:43,898 --> 00:25:45,860 Something's wrong. 338 00:25:45,860 --> 00:25:47,864 Something bad is coming. 339 00:25:47,864 --> 00:25:49,200 Listen to me. 340 00:25:49,200 --> 00:25:50,494 I'm old enough to remember things 341 00:25:50,494 --> 00:25:51,914 you can't even fucking imagine. 342 00:25:51,914 --> 00:25:53,709 ‐ And I'm old enough to remember 343 00:25:53,709 --> 00:25:56,882 that a fucking week ago, I was tied to a fucking chair. 344 00:25:56,882 --> 00:26:00,640 [gun cocking] Stay away from me and my family. 345 00:26:00,640 --> 00:26:03,646 [jackhammer pounding] 346 00:26:03,646 --> 00:26:06,652 [indistinct shouting] 347 00:26:06,652 --> 00:26:10,868 ♪ ♪ 348 00:26:10,868 --> 00:26:13,582 ACE: Nearly all 38 of us have our new vessels. 349 00:26:13,582 --> 00:26:15,628 Soon our prophet will return. 350 00:26:15,628 --> 00:26:17,674 ‐ Tomorrow the final steps begin. 351 00:26:17,674 --> 00:26:19,260 ACE: We'll do it here, 352 00:26:19,260 --> 00:26:22,474 where the most people will be gathered, 353 00:26:22,474 --> 00:26:25,857 before their temple to their false God. 354 00:26:25,857 --> 00:26:31,952 ♪ ♪ 355 00:26:31,952 --> 00:26:34,875 ‐ The police have the vessel. 356 00:26:34,875 --> 00:26:36,502 Ms. Wilkes. 357 00:26:37,546 --> 00:26:39,718 ‐ Patrice. ‐ What? 358 00:26:39,718 --> 00:26:41,638 ‐ The prophet's vessel. 359 00:26:41,638 --> 00:26:43,934 She's gotten herself into some trouble. 360 00:26:43,934 --> 00:26:46,607 She just became your responsibility. 361 00:26:46,607 --> 00:26:53,621 ♪ ♪ 362 00:26:57,085 --> 00:26:58,119 AUGUSTIN: [speaking French] 363 00:27:07,941 --> 00:27:10,905 [dramatic music] 364 00:27:14,704 --> 00:27:17,836 ♪ ♪ 365 00:27:17,836 --> 00:27:21,133 VILLAGER: Non, non, non! Amity! 366 00:27:21,133 --> 00:27:24,139 [shouting] 367 00:27:24,139 --> 00:27:25,810 Aidez‐moi! 368 00:27:25,810 --> 00:27:28,398 ‐ [speaking French] 369 00:27:28,398 --> 00:27:29,985 [groaning and shouting] 370 00:27:29,985 --> 00:27:32,281 Mon Dieu! 371 00:27:32,281 --> 00:27:35,287 [villagers screaming] 372 00:27:35,287 --> 00:27:38,293 [fires roaring] 373 00:28:12,570 --> 00:28:19,124 ♪ ♪ 374 00:28:22,089 --> 00:28:24,678 [moaning] 375 00:28:24,678 --> 00:28:31,440 ♪ ♪ 376 00:28:37,578 --> 00:28:40,584 [indistinct chatter] 377 00:28:41,670 --> 00:28:45,051 [both moaning] 378 00:28:45,051 --> 00:28:48,266 [gravel crunching] 379 00:28:48,266 --> 00:28:49,853 [car door clicks open] 380 00:28:49,853 --> 00:28:52,190 ♪ ♪ 381 00:29:03,630 --> 00:29:04,841 ‐ You didn't bring her. 382 00:29:04,841 --> 00:29:05,968 PATRICE: She's at the station 383 00:29:05,968 --> 00:29:07,345 and it's gonna take some time. 384 00:29:07,345 --> 00:29:09,141 But, Augustin, her head's swimming 385 00:29:09,141 --> 00:29:10,770 with the same evil medicines as this one. 386 00:29:10,770 --> 00:29:12,314 Antipsychotics. 387 00:29:12,314 --> 00:29:13,609 We almost lost Helene. 388 00:29:13,609 --> 00:29:15,111 We could lose the prophet too. 389 00:29:16,113 --> 00:29:17,867 ‐ It's not a problem now that we know. 390 00:29:19,536 --> 00:29:21,332 We'll sober her, clear the fog. 391 00:29:21,332 --> 00:29:22,710 ‐ There isn't time for that. 392 00:29:22,710 --> 00:29:24,046 Augustin, please, we didn't know 393 00:29:24,046 --> 00:29:25,548 about these mind‐altering chemicals, 394 00:29:25,548 --> 00:29:26,550 nor did the prophet. 395 00:29:26,550 --> 00:29:27,970 ‐ She brought me back. 396 00:29:29,682 --> 00:29:32,270 The Wilkes woman brought all of us back. 397 00:29:34,943 --> 00:29:37,155 ‐ You're seeing signs where there are none. 398 00:29:37,155 --> 00:29:39,409 ACE: And what signs do you see, Patrice? 399 00:29:41,413 --> 00:29:43,167 What vessel is suitable? 400 00:29:43,167 --> 00:29:45,714 Clearly you have the gift of sight. 401 00:29:45,714 --> 00:29:47,844 The angel has touched you. 402 00:29:47,844 --> 00:29:50,683 Show us the proper vessel. 403 00:29:50,683 --> 00:29:55,860 ♪ ♪ 404 00:30:16,525 --> 00:30:18,237 [door clatters shut] 405 00:30:44,832 --> 00:30:46,962 ♪ ♪ 406 00:30:50,176 --> 00:30:53,224 ♪ ♪ 407 00:31:08,672 --> 00:31:12,554 [choking] 408 00:31:14,182 --> 00:31:17,188 [beetles buzzing] 409 00:32:01,193 --> 00:32:03,322 ‐ [grunting] 410 00:32:03,322 --> 00:32:05,994 [tense music] 411 00:32:05,994 --> 00:32:08,290 ‐ [grunting] 412 00:32:08,290 --> 00:32:15,304 ♪ ♪ 413 00:32:33,758 --> 00:32:36,054 [teeth chomping] 414 00:32:36,054 --> 00:32:37,515 AMITY: [shushes] 415 00:33:16,468 --> 00:33:19,099 YOUNG VILLAGER: [gulping] 416 00:33:19,099 --> 00:33:22,522 [whimpering] 417 00:33:22,522 --> 00:33:25,152 AMITY: [shushes] 418 00:33:25,152 --> 00:33:29,077 [humming] 419 00:33:29,077 --> 00:33:30,413 [suspenseful music] 420 00:33:30,413 --> 00:33:33,460 [all shouting] 421 00:33:33,460 --> 00:33:36,341 [villager crying] 422 00:33:36,341 --> 00:33:43,355 ♪ ♪ 423 00:34:11,621 --> 00:34:18,175 ♪ ♪ 424 00:34:21,641 --> 00:34:24,562 [hammer banging] 425 00:34:24,562 --> 00:34:27,653 AMITY: [breathing heavily] 426 00:34:42,644 --> 00:34:43,668 AUGUSTIN: [speaking French] 427 00:35:58,877 --> 00:36:01,883 [choking] 428 00:36:08,520 --> 00:36:10,942 [gagging] 429 00:36:26,682 --> 00:36:29,897 [lid rumbling] 430 00:36:29,897 --> 00:36:34,740 EMCEE: Castle Rock's 400th anniversary parade has begun! 431 00:36:34,740 --> 00:36:35,992 [upbeat music playing] 432 00:36:35,992 --> 00:36:39,833 [horn honking, engines revving] 433 00:36:39,833 --> 00:36:41,754 [crowd cheering] 434 00:36:41,754 --> 00:36:48,768 ♪ ♪ 435 00:36:49,770 --> 00:36:53,026 [engines rumbling, indistinct chatter] 436 00:36:53,026 --> 00:36:55,740 [power saw buzzing] 437 00:37:08,306 --> 00:37:09,935 [insects chittering] 438 00:37:09,935 --> 00:37:12,941 [birds chirping] 439 00:37:24,422 --> 00:37:26,009 EMCEE: Here she comes, folks! 440 00:37:26,009 --> 00:37:28,472 The Witch of Jerusalem's Lot. 441 00:37:28,472 --> 00:37:30,559 [crowd cheering] 442 00:37:30,559 --> 00:37:33,941 Give yourselves a hand for coming out today, 443 00:37:33,941 --> 00:37:36,906 celebrating 400 years of beauty. 444 00:37:36,906 --> 00:37:40,079 Now let's all give a big, warm Castle Rock welcome 445 00:37:40,079 --> 00:37:44,630 to the brothers and sisters of Jerusalem's Lot! 446 00:37:44,630 --> 00:37:46,132 ‐ I haven't seen a crowd this big 447 00:37:46,132 --> 00:37:49,263 since the 1992 Thanksgiving Day! 448 00:37:49,263 --> 00:37:51,184 Let's hear it for Castle Rock! 449 00:37:51,184 --> 00:37:52,896 ♪ ♪ 450 00:37:52,896 --> 00:37:54,482 EMCEE: Look at that car. 451 00:37:54,482 --> 00:37:57,488 [birds chirping] 452 00:37:57,488 --> 00:38:00,494 [soft dramatic music] 453 00:38:00,494 --> 00:38:04,252 ♪ ♪ 454 00:38:04,252 --> 00:38:06,506 ABDI: What the fuck? 455 00:38:06,506 --> 00:38:13,520 ♪ ♪ 456 00:38:19,282 --> 00:38:22,622 [fire roaring] 457 00:38:22,622 --> 00:38:28,508 ♪ ♪ 458 00:38:28,508 --> 00:38:30,179 [gunshot] 459 00:38:30,179 --> 00:38:33,185 [cheers and applause] 460 00:38:33,185 --> 00:38:36,191 [lively music playing] 461 00:38:36,191 --> 00:38:38,738 [brakes squeak] 462 00:38:38,738 --> 00:38:40,992 ‐ [sighs] Any trouble so far? 463 00:38:40,992 --> 00:38:42,829 ‐ Oh, no. All's well. 464 00:38:42,829 --> 00:38:45,083 I can let you through if you need to get to the emporium. 465 00:38:45,083 --> 00:38:46,795 ‐ No, I'm gonna take a look. 466 00:38:46,795 --> 00:38:48,340 EMCEE: Hey, folks, please welcome 467 00:38:48,340 --> 00:38:50,177 Castle Rock's very own Pastor Drew. 468 00:38:50,177 --> 00:38:52,933 [cheers and applause] ‐ I'm glad you could make it. 469 00:38:54,227 --> 00:38:55,980 DREW: Good afternoon, good afternoon. 470 00:38:55,980 --> 00:38:58,569 I see a lot of my parishioners out there. 471 00:38:58,569 --> 00:39:00,239 [cheers and applause] 472 00:39:00,239 --> 00:39:04,080 We thank you for coming. We are so thankful. 473 00:39:04,080 --> 00:39:07,503 We want to share our gratitude with you with a gift. 474 00:39:07,503 --> 00:39:10,509 [tense music] 475 00:39:10,509 --> 00:39:17,523 ♪ ♪ 476 00:39:25,038 --> 00:39:26,499 POP: Ace. 477 00:39:27,376 --> 00:39:32,219 ‐ A blessing that will unify all of us. 478 00:39:32,219 --> 00:39:34,181 [people murmuring] 479 00:39:34,181 --> 00:39:36,561 ♪ ♪ 480 00:39:36,561 --> 00:39:38,231 POP: What the fuck are you doing, Ace? 481 00:39:38,231 --> 00:39:39,985 OFFICER: Excuse me, sir! ‐ Hey, where you going, Pop? 482 00:39:39,985 --> 00:39:41,529 POP: Something bad is coming! OFFICER: Step back. 483 00:39:41,529 --> 00:39:43,283 POP: What are you up to? OFFICER: Come on. 484 00:39:43,283 --> 00:39:44,786 ‐ [grunts] Get off me! 485 00:39:44,786 --> 00:39:45,872 Get off! 486 00:39:45,872 --> 00:39:52,886 ♪ ♪ 487 00:39:52,886 --> 00:39:57,311 [eerie howling] 488 00:40:13,301 --> 00:40:20,315 ♪ ♪ 489 00:40:24,448 --> 00:40:28,164 [eerie howling] 490 00:40:28,164 --> 00:40:33,676 ♪ ♪ 491 00:40:33,676 --> 00:40:36,682 [eerie howling] 492 00:40:44,906 --> 00:40:51,587 ♪ ♪ 493 00:41:03,694 --> 00:41:06,742 [eerie howling] 494 00:41:06,742 --> 00:41:10,457 ♪ ♪ 495 00:41:13,254 --> 00:41:16,260 [ethereal music] 496 00:41:16,260 --> 00:41:23,274 ♪ ♪ 497 00:41:54,588 --> 00:41:57,342 [dramatic music] 498 00:41:57,342 --> 00:42:04,189 ♪ ♪ 499 00:42:05,693 --> 00:42:11,037 ‐ Let me tell you a story about starting over. 500 00:42:11,037 --> 00:42:12,665 [sparse piano music] 501 00:42:12,665 --> 00:42:15,128 Someone once said 502 00:42:15,128 --> 00:42:19,804 that every good story ends where it begins. 503 00:42:19,804 --> 00:42:23,896 Well, this one begins right here in Castle Rock, 504 00:42:23,896 --> 00:42:26,484 and it will end here too. 505 00:42:26,484 --> 00:42:33,456 ♪ ♪ 506 00:43:51,613 --> 00:43:53,241 CHILDREN: Bad Robot.